All on fire: the genius of Josiah Wedgwood

0

Let’s start with what was deemed negative about Josiah Wedgwood’s impact on the history of ceramics. Twentieth-century studio potter Michael Cardew admitted Wedgwood was an “industrial genius,” who blended science, technology and entrepreneurship. But Cardew made an important technical critique of the eighteenth-century potter. Wedgwood first fired its goods at high temperatures. Once enameled and decorated, they were reheated in the “shiny” oven at low temperature. Although this system avoids breakage, for Cardew it meant “killing the body before enameling” and “giving the dishes that cold appearance beneath its lavish ornamentation”. Cardew, more an artist than an industrialist, contrasts Wedgwood’s technique with that used for the manufacture of Chinese stoneware in the 12th century, which he appreciates for the complete unity of the glaze and the clay body.

Art critic Roger Fry agreed. Although Wedgwood was a great technician, Fry argued, his approach to ceramics “probably …

Sign up today to continue reading

You’ve reached your limit of three items in the past 30 days. To get seven more, just enter your email address below.

You will also receive our free e-book The best thinkers of Prospect 2021 and our newsletter with the best new writings on politics, economics, literature and the arts.

Perspective may process your personal information for legitimate business purposes, to provide you with newsletters, subscription offers and other relevant information.

Click here to learn more about these purposes and how we use your data. You can unsubscribe from any other contact on the following page and in all our communications.

This site is protected by reCAPTCHA and the Google privacy policy and terms of service apply.


Source link

Leave A Reply

Your email address will not be published.