Jonathan Joven returns to Kaida for a new show

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In “Spatial”, Jonathan Joven’s eleventh solo exhibition at Kaida Contemporary, the artist continues to explore notions of the house and the occupation of space.

With these recent works, the emphasis is more on objects existing on the same plane, finely drawn and painted, with meanings echoed by the marks on the recycled tracing paper he uses and a surprise layer of veiled landscape in the first. a look.

“Grateful”, acrylic, soft pastel on acrylic pastel background on reused tracing paper on canvas, 36 x 48 inches (2021)

Common household objects and decorative figurines are highlighted in the works, both as a tribute to the mundane and as a chronicle of the changes that a local environment undergoes due to the occupation of settlers and residents.

Each bust or sculpture reinterpreted as a two-dimensional figure has its own story to tell and its own socio-economic slice, whether it’s a plastic toy made of building blocks, a Chinese lucky charm. , of a classic copy made by local artisans, of a northern deity or pride of the country. Joven’s background is silent testimony to the evolution of farmlands, forests, streams and uncluttered landscapes, and how progress has turned these pockets of land into sub-divisions, into industrial zones. and even in recovery areas.

“Durable”, acrylic, charcoal, ink, soft pastel, acrylic pastel ground on reused tracing paper on canvas; 24×18 inch (2021)

An ionic column, anito and Lego blocks transform a pastoral terrain in tension between East and West in “Sustainable”. Harmony places a piano by the side of the road, a clear sky announcing beautiful music. Strive to honor the proverbial work and everyday life. “Legacy” portrays the national hero of the Philippines, Jose Rizal, with a disheveled chair and Lego stairs. “Keepers” features angels mirroring each other, while “Guardians” has a Fu dog and a cherub wearing a cornucopia keeping watch. “Awareness” has a familiar porcelain figure of a boy with his goat in the middle of a forest background. “Environmental” warns of the speed of development as a truck with a concrete mixer appears to emerge from a fragile pile of poorly constructed wooden benches. “Grateful”, the largest piece in the exhibit, showcases produce provided by farmers literally bringing food to the table.

“Environmental”, acrylic, charcoal, ink, oil, acrylic pastel on the ground on tracing paper recycled on canvas;  36 x 36 inches (2021)

“Environmental”, acrylic, charcoal, ink, oil, acrylic pastel on the ground on tracing paper recycled on canvas; 36 x 36 inches (2021)

When memories and a sense of nostalgia collide with the squeaking sound of machinery and other equipment, the stress is understandable, perhaps even inevitable. In Jonathan Joven’s Spatial, however, everyone has their own place under the sun.

“Spatial” is on view until July 6 at Kaida Contemporary in Quezon City.

KAYE O’YEK

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