Oscars 2022 predictions: 11 movies to know
The Oscars 2022 will mark two years since the entertainment industry was plunged into chaos after the start of the pandemic. Meanwhile, many projects have been shot under strict COVID-19 protocols and many long-delayed blockbusters have finally aired – in theaters, on streaming platforms, or both – but the crisis is far from over. finished. As a result, the films competing for glory this awards season are a mixed bag, ranging from big-budget hits to indie hopefuls. There are also beloved actors looking for their first Oscars (Kristen Stewart, Will Smith, Kirsten Dunst) and talented women (Jane Campion, Maggie Gyllenhaal, Siân Heder) keen to break into the Best Director category afterwards. Chloé Zhao’s success with Nomadic country.
Before the ceremony on March 27, here are the films that should win big.
The power of the dog
Jane Campion’s brutal and brooding western following a rancher (Benedict Cumberbatch) terrorizing his brother’s new wife (Kirsten Dunst) is a Best Picture favorite, backed up by its hypnotic cinematography, unsettling score and performance. heartbreaking. It could also make the respected author the third woman in history to receive the Oscar for Best Director.
After winning the coveted Audience Award at the Toronto Film Festival, Kenneth Branagh’s semi-autobiographical rendition of his childhood during the unrest in Belfast is poised to dominate. Jude Hill is extraordinary as a boy at the center, as are the actors playing his parents and grandparents: Caitríona Balfe, Jamie Dornan, Ciarán Hinds and Judi Dench.
A sci-fi monster that has given cinemas around the world a much-needed boost by already grossing over $ 350 million, Denis Villeneuve’s atmospheric epic should be rewarded with nods across the board. His production design is masterful, the visuals impressive, the costumes fantastic and the score by Oscar-winning legend Hans Zimmer truly breathtaking.
Fifteen years after his last Oscar nomination for The pursuit of happiness, Will Smith just might get a statuette for his passionate portrayal of Richard Williams, the father and tennis trainer of Venus and Serena, in the thrilling biopic of Reinaldo Marcus Green. Also in the mix? Beyoncé, who could face Billie Eilish in the original song category with “Be Alive”.
If anyone owes an Oscar, it must be eight-time nominee Paul Thomas Anderson. Critics praised her latest love affair, the story of a teenage boy (Cooper Hoffman, son of Philip Seymour Hoffman) chasing an older woman (Alana Haim). A nod to the best original screenplay seems almost guaranteed, but this success could easily go further.
While Pablo Larraín’s hallucinatory vision of Princess Diana’s fateful trip to Sandringham for Christmas in 1991 may divide Academy voters, there is no denying the power, scope, and eerie precision of Kristen Stewart’s interpretation. of the People’s Princess. Credit should also go to Jonny Greenwood’s dismal score and Jacqueline Durran’s exquisite costumes.
Alley of nightmares
Guillermo del Toro’s latest film, the tender monster movie The shape of water, won four statuettes including that of the best photo. This noir thriller takes even more stars, putting Bradley Cooper as a carnival worker and Cate Blanchett as a sinister psychiatrist alongside former Oscar nominees Rooney Mara, Toni Collette, Willem Dafoe and Richard Jenkins.
Between them, Denzel Washington, Frances McDormand and Joel Coen have 10 Oscars, so it would be safe to assume that the trio’s compelling new collaboration will be one of the awards favorites. It’s a haunting, stylized tale of the Shakespearean saga of murderous ambition and all-consuming guilt, bathed in mist and shot in shimmering black and white.
The lost girl
In her daring feature debut, Maggie Gyllenhaal transforms Elena Ferrante’s compelling novel of the same name into a rich, deeply cinematic meditation on the joys and anxieties of motherhood. A Best-Fit Screenplay nomination would be well deserved, as would recognition from ever-best Olivia Colman, Jessie Buckley, and Dakota Johnson.
Although it was not selected as the best international submission from Spain, Pedro Almodóvar’s melodrama that follows two women who meet in a maternity hospital can appear in other categories, from original music to the best cinematography. . Its biggest asset? Penélope Cruz, winner of the Volpi Cup at the Venice Film Festival, in the running for best actress.
In early 2021, Siân Heder’s charming coming-of-age comedy centered on a child of deaf adults swept through Sundance, becoming the first film to win all of the festival’s top prizes in the American drama category. As a rambunctious crowd pleaser, it could very well sneak its way into the scramble for the best picture or score some nods for newcomer Emilia Jones and Oscar winner Marlee Matlin.
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